- Die Schauspielerin würde heute beim Film-Epos einiges anders machen. England, An Bord der Titanic, des größten Passagierschiffs der Welt, begegnen sich Rose, ein Mädchen der gehobenen Gesellschaft, und der mittellose Maler Jack. Als Jack beobachtet, wie Rose über die Reling klettert, um sich ins Meer zu. Der amerikanische Schauspieler, bekannt geworden als Schatzjäger in "Titanic", ist tot. Kollegen aus Hollywood zeigen sich bestürzt über den.
Besetzung & Stab: Titanic20 Jahre ist es her, dass "Titanic" in die Kinos kam und vielen Der griechischstämmige Zane ist bis heute als Schauspieler in Filmen. Besetzung und Stab von Titanic, Regisseur: James Cameron. Besetzung: Leonardo DiCaprio, Kate Winslet, Billy Zane, Kathy Bates. - Erkunde a Queens Pinnwand „Leonardo Dicaprio“ auf Pinterest. Weitere Ideen zu leonardo di caprio, titanic, schauspieler.
Titanic Schauspieler Komplette Besetzung von Titanic VideoTitanic Cast: Then and Now (1997 vs 2020)
Und: Titanic Schauspieler will Phimmoi Opfer Titanic Schauspieler. - NavigationsmenüIn: Internet Movie Database.
So when an IMAX film was made from footage shot of the wreck itself, he decided to seek Hollywood funding to "pay for an expedition and do the same thing".
It was "not because I particularly wanted to make the movie," Cameron said. Cameron wrote a scriptment for a Titanic film,  met with 20th Century Fox executives including Peter Chernin , and pitched it as " Romeo and Juliet on the Titanic ".
Sure, that's just what we want. Is there a little bit of Terminator in that? Any Harrier jets , shoot-outs, or car chases?
It's not like that. Cameron convinced Fox to promote the film based on the publicity afforded by shooting the Titanic wreck itself,  and organized several dives to the site over a period of two years.
The crew shot at the real wreck in the Atlantic Ocean twelve times in At that depth, with a water pressure of 6, pounds per square inch, "one small flaw in the vessel's superstructure would mean instant death for all on board.
The external bulkhead of Captain Smith's quarters collapsed, exposing the interior. The area around the entrance to the Grand Staircase was also damaged.
Descending to the actual site made both Cameron and crew want "to live up to that level of reality But there was another level of reaction coming away from the real wreck, which was that it wasn't just a story, it wasn't just a drama," he said.
Working around the wreck for so much time, you get such a strong sense of the profound sadness and injustice of it, and the message of it.
There may never be another one — maybe a documentarian. After filming the underwater shots, Cameron began writing the screenplay.
I created an extremely detailed timeline of the ship's few days and a very detailed timeline of the last night of its life," he said. From the beginning of the shoot, they had "a very clear picture" of what happened on the ship that night.
We wanted this to be a definitive visualization of this moment in history as if you'd gone back in a time machine and shot it.
Cameron was influenced in his crafting of the film by the British production A Night to Remember , which he had seen as a youth.
He liberally copied some dialogue and scenes from that film, including the lively party of the passengers in steerage,  and the musicians playing on the deck during the sinking of the ship.
Cameron felt the Titanic sinking was "like a great novel that really happened", but that the event had become a mere morality tale ; the film would give audiences the experience of living the history.
It's not a disaster film. It's a love story with a fastidious overlay of real history. Cameron framed the romance with the elderly Rose to make the intervening years palpable and poignant.
Harland and Wolff , the RMS Titanic 's builders, opened their private archives to the crew, sharing blueprints that were thought lost.
For the ship's interiors, production designer Peter Lamont 's team looked for artifacts from the era. The newness of the ship meant every prop had to be made from scratch.
A horizon tank of seventeen million gallons was built for the exterior of the reconstructed ship, providing degrees of ocean view.
The ship was built to full scale, but Lamont removed redundant sections on the superstructure and forward well deck for the ship to fit in the tank, with the remaining sections filled with digital models.
The lifeboats and funnels were shrunken by ten percent. The boat deck and A-deck were working sets, but the rest of the ship was just steel plating.
Within was a fifty-foot lifting platform for the ship to tilt during the sinking sequences. The sets representing the interior rooms of the Titanic were reproduced exactly as originally built, using photographs and plans from the Titanic 's builders.
Craftsmen from Mexico and Britain sculpted the ornate paneling and plaster-work based on Titanic 's original designs. Principal photography for Titanic began in July at Dartmouth, Nova Scotia , with the filming of the modern-day expedition scenes aboard the Akademik Mstislav Keldysh.
This posed a problem for shooting the ship's departure from Southampton , as it was docked on its port side.
Implementation of written directions, as well as props and costumes, had to be reversed; for example, if someone walked to their right in the script, they had to walk left during shooting.
In post-production, the film was flipped to the correct direction. A full-time etiquette coach was hired to instruct the cast in the manners of the upper class gentility in Cameron sketched Jack's nude portrait of Rose  for a scene which he feels has the backdrop of repression.
It's kind of exhilarating for that reason," he said. There's a nervousness and an energy and a hesitance in them," Cameron stated.
If I'd had a choice, I probably would have preferred to put it deeper into the body of the shoot. Other times on the set were not as smooth.
The shoot was an arduous experience that "cemented Cameron's formidable reputation as 'the scariest man in Hollywood'. He became known as an uncompromising, hard-charging perfectionist" and a "decibel screamer, a modern-day Captain Bligh with a megaphone and walkie-talkie, swooping down into people's faces on a ft crane".
Jim has a temper like you wouldn't believe," she said. Jim is not one of those guys who has the time to win hearts and minds," he said. A great battle between business and aesthetics.
During the Akademik Mstislav Keldysh shoot in Canada, an angry crew member put the dissociative drug PCP into the soup that Cameron and various others ate one night in Dartmouth, Nova Scotia.
Some of them said they were seeing streaks and psychedelics," said actor Lewis Abernathy. Abernathy was shocked at the way he looked.
A pupil, no iris, beet red. The other eye looked like he'd been sniffing glue since he was four. The filming schedule was intended to last days but grew to Many cast members came down with colds, flu, or kidney infections after spending hours in cold water, including Winslet.
In the end, she decided she would not work with Cameron again unless she earned "a lot of money". I'm demanding, and I'm demanding on my crew.
In terms of being kind of militaresque, I think there's an element of that in dealing with thousands of extras and big logistics and keeping people safe.
I think you have to have a fairly strict methodology in dealing with a large number of people. They argued the extended length would mean fewer showings, thus less revenue, even though long epics are more likely to help directors win Oscars.
Cameron refused, telling Fox, "You want to cut my movie? You're going to have to fire me! You want to fire me?
You're going to have to kill me! Cameron explained forfeiting his share as complex. Those films went up seven or eight percent from the initial budget.
Titanic also had a large budget to begin with, but it went up a lot more," he said. I did that on two different occasions.
They didn't force me to do it; they were glad that I did. Cameron wanted to push the boundary of special effects with his film, and enlisted Digital Domain and Pacific Data Images to continue the developments in digital technology which the director pioneered while working on The Abyss and Terminator 2: Judgment Day.
Many previous films about the RMS Titanic shot water in slow motion , which did not look wholly convincing. Visual effects supervisor Rob Legato scanned the faces of many actors, including himself and his children, for the digital extras and stuntmen.
Unexpectedly, the waterfall ripped the staircase from its steel-reinforced foundations, although no one was hurt. After submerging the dining saloon, three days were spent shooting Lovett's ROV traversing the wreck in the present.
The climactic scene, which features the breakup of the ship directly before it sinks as well as its final plunge to the bottom of the Atlantic, involved a tilting full-sized set, extras, and stunt performers.
Cameron criticized previous Titanic films for depicting the liner's final plunge as a graceful slide underwater. He "wanted to depict it as the terrifyingly chaotic event that it really was".
A few attempts to film this sequence with stunt people resulted in some minor injuries, and Cameron halted the more dangerous stunts. The risks were eventually minimized "by using computer generated people for the dangerous falls".
There was one "crucial historical fact" Cameron chose to omit from the film — the SS Californian was close to the Titanic the night she sank but had turned off its radio for the night, did not hear her crew's SOS calls, and did not respond to their distress flares.
That wasn't a compromise to mainstream filmmaking. That was really more about emphasis, creating an emotional truth to the film," stated Cameron.
He said there were aspects of retelling the sinking that seemed important in pre- and post-production, but turned out to be less important as the film evolved.
It was a clean cut, because it focuses you back onto that world. If Titanic is powerful as a metaphor, as a microcosm, for the end of the world in a sense, then that world must be self-contained.
During the first assembly cut, Cameron altered the planned ending, which had given resolution to Brock Lovett's story. In the original version of the ending, Brock and Lizzy see the elderly Rose at the stern of the boat and fear she is going to commit suicide.
Rose then reveals that she had the "Heart of the Ocean" diamond all along but never sold it, in order to live on her own without Cal's money.
She tells Brock that life is priceless and throws the diamond into the ocean, after allowing him to hold it. After accepting that treasure is worthless, Brock laughs at his stupidity.
Rose then goes back to her cabin to sleep, whereupon the film ends in the same way as the final version. In the editing room, Cameron decided that by this point, the audience would no longer be interested in Brock Lovett and cut the resolution to his story, so that Rose is alone when she drops the diamond.
He also did not want to disrupt the audience's melancholy after the Titanic 's sinking. Our job was done by then If you're smart and you take the ego and the narcissism out of it, you'll listen to the film, and the film will tell you what it needs and what it does not need".
The version used for the first test screening featured a fight between Jack and Lovejoy which takes place after Jack and Rose escape into the flooded dining saloon, but the test audiences disliked it.
Lovejoy goes after the pair in the sinking first-class dining room. Just as they are about to escape him, Lovejoy notices Rose's hand slap the water as it slips off the table behind which she is hiding.
In revenge for framing him for the "theft" of the necklace, Jack attacks him and smashes his head against a glass window, which explains the gash on Lovejoy's head that can be seen when he dies in the completed version of the film.
In their reactions to the scene, test audiences said it would be unrealistic to risk one's life for wealth, and Cameron cut it for this reason, as well as for timing and pacing reasons.
Many other scenes were cut for similar reasons. Cameron wrote Titanic while listening to the work of Irish new-age musician Enya. The two had parted ways after a tumultuous working experience on Aliens ,  but Titanic cemented a successful collaboration that lasted until Horner's death.
Horner knew Sissel from her album Innerst i sjelen , and he particularly liked how she sang " Eg veit i himmerik ei borg " "I Know in Heaven There Is a Castle".
He had tried twenty-five or thirty singers before he finally chose Sissel as the voice to create specific moods within the film.
Horner additionally wrote the song " My Heart Will Go On " in secret with Will Jennings because Cameron did not want any songs with singing in the film.
Horner waited until Cameron was in an appropriate mood before presenting him with the song. After playing it several times, Cameron declared his approval, although worried that he would have been criticized for "going commercial at the end of the movie".
Two of their designs were used in the film while the other went unused until after the film had been released. The three necklaces are commonly known as the original prop, the J.
Peterman necklace, and the Asprey necklace. The three necklaces are all very similar but have distinguishable differences.
The third and final design was not used in the film. The result was a platinum-set, carat The chain for this necklace also featured a mix of round, pear, and marquise cut white diamonds.
The bail also featured a heart cut white diamond with another round cut diamond attached to an inverted pear shape diamond which was then attached to the cage of the main stone.
The necklace was donated to Sotheby's auction house in Beverly Hills for an auction benefiting the Diana, Princess of Wales Memorial Fund and Southern California's Aid For AIDS.
This necklace has since not been made available for public viewing. They expected Cameron to complete the film for a release on July 2, The film was to be released on this date "in order to exploit the lucrative summer season ticket sales when blockbuster films usually do better".
This eventually led to more positive media coverage. The film premiered on November 1, , at the Tokyo International Film Festival ,  where reaction was described as " tepid " by The New York Times.
Titanic was the first foreign-language film to succeed in India, which has the largest movie-going audience in the world.
The film received steady attendance after opening in North America on Friday, December 19, By the end of that same weekend, theaters were beginning to sell out.
Before Titanic ' s release, various film critics predicted the film would be a significant disappointment at the box office , especially since it was the most expensive film ever made at the time.
It was a certainty," he stated. A film critic for the Los Angeles Times wrote that "Cameron's overweening pride has come close to capsizing this project" and that the film was "a hackneyed, completely derivative copy of old Hollywood romances".
When the film became a success, with an unprecedented box office performance, it was credited for being a love story that captured its viewers' emotions.
Titanic ' s impact on men has also been especially credited. In , the BBC analyzed the stigma over men crying during Titanic and films in general.
From a very young age, males are taught that it is inappropriate to cry, and these lessons are often accompanied by a great deal of ridicule when the lessons aren't followed.
Scott Meslow of The Atlantic stated while Titanic initially seems to need no defense, given its success, it is considered a film "for year-old girls" by its main detractors.
He acknowledged his own rejection of the film as a child while secretly loving it. It's a great movie for year-old girls, but that doesn't mean it's not a great movie for everyone else too.
Quotes in the film aided its popularity. Titanic 's catchphrase "I'm the king of the world! Cameron explained the film's success as having significantly benefited from the experience of sharing.
They want to grab their friend and bring them, so that they can enjoy it," he said. That's how Titanic worked. In response to this, "[m]any theatres started midnight showings and were rewarded with full houses until almost am".
Titanic held the record for box office gross for 12 years. For one, "Two-thirds of Titanic 's haul was earned overseas, and Avatar [tracked] similarly Avatar opened in markets globally and was no.
Some pretty good movies have come out in the last few years. Titanic just struck some kind of chord. It's just a matter of time," he said.
Titanic garnered mainly positive reviews from film critics, and was positively reviewed by audiences and scholars, who commented on the film's cultural, historical, and political impacts.
The site's critical consensus reads, "A mostly unqualified triumph for James Cameron, who offers a dizzying blend of spectacular visuals and old-fashioned melodrama.
With regard to the film's overall design, Roger Ebert stated, "It is flawlessly crafted, intelligently constructed, strongly acted, and spellbinding Movies like this are not merely difficult to make at all, but almost impossible to make well.
You don't just watch Titanic , you experience it. James Cameron's recreation of the sinking of the 'unsinkable' liner is one of the most magnificent pieces of serious popular entertainment ever to emanate from Hollywood.
The romantic and emotionally charged aspects of the film were equally praised. Andrew L. Marian Thayer 2 episodes, Pandora Colin Countess of Rothes 2 episodes, Kevin Lukacs Winston Churchill 1 episode, Jamie MacPhee Scots Guards Officer 1 episode, Timothy West Lord Pirrie 1 episode, Michele Moran Prostitute 1 episode, Richard Sutton Second Officer Blair 1 episode, Tim Downie Priest 1 episode, Geoffrey Thomas Cellist 1 episode, Richard Southgate Woman 1 in Lifeboat 1 episode, Dave Legeno Seaman Davis 1 episode, Luke Norris Seaman Holmes 1 episode, Preston Hrisko Hudson Allison uncredited unknown episodes Jeff Mash Seaman Penton uncredited unknown episodes Paul Bridle Footman uncredited unknown episodes Istvan Szori Edit page.
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Rate This. A seventeen-year-old aristocrat falls in love with a kind but poor artist aboard the luxurious, ill-fated R.
Director: James Cameron. Writer: James Cameron. Watch on Prime Video included with Prime. Added to Watchlist.
From metacritic. Sundance Stars in Unforgettable Early Roles. The Most Anticipated Movies to Stream in February Editorial Lists Related lists from IMDb editors.
Sumukhi Suresh's Watchlist. He then went on to feature in programs such as Our Boy with Ray Winstone , The Bill and London's Burning.
After leaving school he played the role of Jenkins in Boyz Unlimited and Danny in the second series of the BBC drama Hope and Glory.
In Aldridge attended the Mountview Academy of Theatre Arts in London where he trained for three years. In his graduate year he played Jesus in the Andrew Lloyd Webber musical Jesus Christ Superstar at the Actors' Church in London's Covent Garden.
Since then, Aldridge has continued to work concurrently in both television and theatre,. On screen, Aldridge has played Garvey in EastEnders , Steward Taylor in the ITV and ABC America series Titanic written by Downton Abbey and Gosford Park creator Julian Fellowes , Jimmy Smudger Collins in Call the Midwife , Callum Ross in Silent Witness , Jason in the BBC drama Killers written by David Eldridge and Tony Jordan , Darren Peasgood in Doctors , Warren in the second series of the ITV sci-fi drama Primeval ,  Reece in the second series of Law and Order UK , Copper in the BBC Three Original Drama short Flea.
Film roles include Phillip Patel in MI directed by Blackadder director Richard Boden and Mikey in Elsa O'Tooles's Blasted nominated for best short at both Cannes film festival and Sundance Film Festival.
In Aldridge started his role as Spencer in the multi nominated British Broadcast Awards online comedy series The Support Group produced by the creators of The Inbetweeners - Bwark Productions.
In the West End, Aldridge created the role of Barry in the original West End cast of Made in Dagenham at the Adelphi Theatre directed by Rupert Goold and starring Gemma Arterton with music written by David Arnold , Script by Richard Bean , and lyrics by Richard Thomas.
He was also part of the original London cast of the Cole Porter musical High Society , which starred Jerry Hall , at the Shaftesbury Theatre , after appearing in the UK tour.